In spite of this, she was warmly remembered by the public. She lived her final years in seclusion in Kingston upon Thames, London. It also helps other women with beauty marks to have an ally with which to identify. She called it My first really big Picture. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. One of those famous faces was Marilyn Monroe. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. Images of the British actress, Margaret Lockwood. Used Margie Day briefly as her stage name at the very beginning of her stage career. Was a committed teetotaller all her life and detested the taste of While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. her flawless complexion - enhanced by a beauty-spot! "It was the cutest stinking mole, and I was sold," she admitted. If so, please share it with your friends and family to help spread the word. As an only child herself, she had once said: I love children. As you now know, the 18th century was thetime for magnificent moles. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). Her first moment on stage came at the age of Early Years Quiet Wedding (1941) was a comedy directed by Anthony Asquith. She was known for her stunning looks, artistry and versatility. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. In June 1939, Lockwood returned to the United Kingdom. She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She was made Commander of the Order of the British Empire in 1980. Please like & follow for more interesting content. Her body was cremated at Putney Vale Crematorium. I used to love her films. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. Listing for: Sport Clips - Stylist - CA519. Required fields are marked *. Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". We celebrate one of the Britains biggest film stars of the 1940s. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). Let us know if you have suggestions to improve this article (requires login). She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. It was one of the cycle of Gainsborough Melodramas . Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. And I loved it. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Our editors will review what youve submitted and determine whether to revise the article. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. Search instead in. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. Before long, mouches made their way into politics. Lockwood called it "one of the films I have enjoyed most in all my career. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . These films have not worn particularly well, but. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. 2023 BygonelyPrivacy policyTerms of ServiceContact us. Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). A free trial, then 4.99/month or 49/year. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Release Date: 21 December 1946 (USA) Aspect Ratio: 1.37 : 1. This naturally raises the question: Why are there two different names? Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. In December of the following year, she appeared at the Scala Theatre in the pantomime The Babes in the Wood. Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. And why do people love them or hate them? Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. She added, "But he obviously also found them sexy. When a proposed film about Elisabeth of Austria was cancelled,[37] she returned to the stage in a record-breaking national tour of Nol Coward's Private Lives (1949)[38] and then played the title role in productions of J. M. Barrie's Peter Pan in 1949 and 1950. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. When peace came, her mother was keen for her daughter to follow in her footsteps. No weekends or evenings required. Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Italia Conti Drama School. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. 2023 British Film Institute. "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. She wouldn't have been the only one to fake it, though. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. Listed on 2023-02-26. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Her RADA-trained voice was posh, of course, but not supercilious. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. In the 1960s and 70s she appeared on British television, including a 1965 series The Flying Swan with her daughter Julia. She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, vestibulitis, caused her to turn her back gradually on a glittering career. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. [5][6][7] This was at 4,000 a year.[8]. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. - makes her the epitome of the British noblewoman. ", Even by the mid-1800s, not everyone had opened their minds likePepys. [40][41] It was not popular. Any moles or flaws are usually Photoshopped out to create the image of beauty." Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. Organize, control, distribute and measure all of your digital content. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart.

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